A Heritage films are mostly re-releases
For the vast majority of films, the release of a heritage film in a country is a re-release. There are very few examples of first releases in a country, and they tend to achieve very low levels of admissions.
US films are less dominant in the heritage film market than in general
Between 2014 and 2023, US films accounted for 53% of admissions to heritage films in Europe (compared to 64% of all admissions), followed by French films (14%) and by UK films (12%). Overall, European films made up 37% of the heritage film market.
Outside European countries and the USA, only Japan appears in the top 10 countries of origin for admissions to heritage films.
Admissions to European heritage films have increased, but at slower rate than the market
In 2023, admissions were significantly higher than in 2014 and had returned to their pre-COVID levels. However, the share of European films in the heritage film market is decreasing.
Children’s films are well represented among top European heritage films
Out of the 26 European films with 200 000 admissions or more between 2014 and 2023, 9 were children’s films. France accounted for almost all of the admissions for these 9 films, probably highlighting the key role of public support schemes for cinema education.
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